Woman waiting to catch Metro waves a banner designed by Stephen Fairey for The Amplifier Foundation’s We The People project
I wake up to hear the radio spitting stories about the wall that will be built no matter what, the continuation of the Dakota Access pipeline, rejection of refugees, removal of funding for international NGOs that cover fertility rights, reduction of taxes for corporations, eliminating healthcare for all. This is a short list.
Remembering Saturday’s excitement when Minal and I crammed into Los Angeles’s Metro with Elline Lipkin and her friend toward the Women’s March in Pershing Square, I search for hope, telling myself that these days will pass, that artists will be the ones to undo damage from this era. I am reminded of the destruction wreaked in 1977 after General Zia launched his military coup, kicking off laws that spiraled Pakistan into the middle ages. And I am inspired when I remember participating in Women’s Action Forum marches in the heart of Karachi.
When Minal grows older, she, too, will recall her first march with 750,000 children, women and men in downtown LA. She will save the photos she shared with friends who also marched with their mothers and fathers 1,500 miles away in Houston, twelve year-old girls pushed into political consciousness by a president whose actions will change the world they know.
Left: Woman holds up Stephen Fairey’s poster designed for the Amplifier Foundation’s We The People Project; Right: Image of Munira Ahmed in Fairey’s poster, also designed as part of Amplifier Foundation’s We the People project
24 Jan 2017 · 04:09:49 PM